RAMAPRIYA :
SR1GMPDNS - SNDPMGR1S R AND M HALF NOTES
PALLAVI :
1.PA; PMGMGARE SNSA:SNDANE SRGARE GA:MAPA;;PMGRGM
2.PA;PMGMGARE SNSA :SNDANESRGARE GA;MA GMPA MPDA PMGM
3.PA;PMGMGARE SNSA :SNDANE SRGRGA-RGMPDA PDND-SNEDPMGM
4.PA;PMGMGARE SNSA;SNDANE SRGMPA-MPDNSA NDPDNEDAPMGM
5.PA;PMGMGARESNSA:SNDANE SRGMPD-PDNSRE SNDNSASANDPM
6.PDND DDPMGARE SNSRSA SNDANE SRGMPD-NSRGRS NDPDNSRS NDPM
PA;PMGMGARE SNSA:SNDANESA………………..
Saturday, August 25, 2007
Saturday, August 18, 2007
NAGAGANTHARI RAGAM
RAGAM : NAGAGANTHARI S R M P D1 N S S N D1 P M G1 R S
PALLAVI ;
1.SARE PMGRMA : PA, PDM PSDA: SA ;; NSNDPM PA ; PA MPMGRG
2.SRSR PMGRMA ; PA, PDM prsa DA; DNSRGS NSNDPM PA;PA mpdp MGRG
SARE PMGR MA ; PA, PDM PS DA;……………………..PA………………………..
ANUPALLAVI
; NSDA ; NE PA ; MPA NNESA ; SARE SRMA GSRE PMNP SNGS DAPA ;
; NS DA ;NE PA ;MPA NNESA ; SARE SRMA GSRE SGSNDP- MPMGRG
;SRSR PMGR MA ; PA, PDM prsa DA;PA………………………………….
CHARANAM :
1. PA PA ; PADAMA MPMGRG SRMA ; PAPA ;PSNDMA MPMGRG SRMA ;
SA RE PMGR MAPA MAPA ; SADA ;MAPA ; SA DA ;MAPA NENE SA ;
SARE SRMA GA ; DA ; ; RG SA ; NSDA ; MAPANE SA ; ; MAPA ;
PMPA SA DA ; ; PA ; ; PA ; ; MPMGSA ; ; SRMGRS RMPA;MPNNSA ;
SRMAGS NSGSDA , NPMPA SANDPA MPMGRG
SRSRPMGRMA ; PA , PDM prsa DA ; …………………PA……………
SARE SRMA GA ; DA ; ; RG SA ; NSDA ; MAPANE SA ; ; MAPA ;
PMPA SA DA ; ; PA ; ; PA ; ; MPMGSA ; ; SRMGRS RMPA;MPNNSA ;
SRMAGS NSGSDA , NPMPA SANDPA MPMGRG
SRSRPMGRMA ; PA , PDM prsa DA ; …………………PA……………
PALLAVI ;
1.SARE PMGRMA : PA, PDM PSDA: SA ;; NSNDPM PA ; PA MPMGRG
2.SRSR PMGRMA ; PA, PDM prsa DA; DNSRGS NSNDPM PA;PA mpdp MGRG
SARE PMGR MA ; PA, PDM PS DA;……………………..PA………………………..
ANUPALLAVI
; NSDA ; NE PA ; MPA NNESA ; SARE SRMA GSRE PMNP SNGS DAPA ;
; NS DA ;NE PA ;MPA NNESA ; SARE SRMA GSRE SGSNDP- MPMGRG
;SRSR PMGR MA ; PA, PDM prsa DA;PA………………………………….
CHARANAM :
1. PA PA ; PADAMA MPMGRG SRMA ; PAPA ;PSNDMA MPMGRG SRMA ;
SA RE PMGR MAPA MAPA ; SADA ;MAPA ; SA DA ;MAPA NENE SA ;
SARE SRMA GA ; DA ; ; RG SA ; NSDA ; MAPANE SA ; ; MAPA ;
PMPA SA DA ; ; PA ; ; PA ; ; MPMGSA ; ; SRMGRS RMPA;MPNNSA ;
SRMAGS NSGSDA , NPMPA SANDPA MPMGRG
SRSRPMGRMA ; PA , PDM prsa DA ; …………………PA……………
SARE SRMA GA ; DA ; ; RG SA ; NSDA ; MAPANE SA ; ; MAPA ;
PMPA SA DA ; ; PA ; ; PA ; ; MPMGSA ; ; SRMGRS RMPA;MPNNSA ;
SRMAGS NSGSDA , NPMPA SANDPA MPMGRG
SRSRPMGRMA ; PA , PDM prsa DA ; …………………PA……………
Thursday, August 9, 2007
sivaranjani
AROHANAM S R G1 P D S
AVAROHANAM S D P G1 R S
G HALF NOTE
Please practise this atleast 200 times in your instruement.
AVAROHANAM S D P G1 R S
G HALF NOTE
Please practise this atleast 200 times in your instruement.
Sunday, August 5, 2007
valaji ragam
RAGAM-VALAJI. AROHANAM:S G P D N S
*
AVAROHANAM S N D P G S
PLAY BOTH AROHANAM&AVAROHANAM ATLEAST FOR 50TIMES IN DIFFERENT DURATIONS.
TRY TO PLAY THE FOLLOWING NOTES.(ALL OPEN NOTES)
GA.........................GA PA GA SA.........
SA NE DA PA.............DA NE........SA........
. . .
DA NE SA GA....................................
. . .
S G P G SA.....................
D N S N DA.....................
. .. . .
D N D PA...................PA GA
. . . . . .
GA PA.......................DA NE SA.............
. . . . .
NE SA GA...............................
..
G S N DA.......................N DA
. .
S N DA...................GA.....S N DA
. . . .
PA.........................D N D PA.......
. . . . .
D N S GA..................................
. . .
GA GA PA...................................
G P G SA......................................
S G S N DA......................N D N D PA
. . . . . . .
P D N D PA.....................D N S N DA.....
. . . . . . . . . .
N S GA...........................GA PA ..........
. .
P G SA.........................G P G SA............
S G P G SA..............................
S S G G PA....................
GA PA DA NE......................DA PA........
GA NE DA PA .............................
G P S G PA.......................
G P D NE..........................N D PA.........
N D P GA...............................
N D P G SA.............................
S G G PA............................P D D NE
* * *
SA.............................S N SA........
* *
S N D N SA...................................
*
S N D P D N SA...........................
* *
S N D P G P D N SA
* * * *
DA NE SA GA.....................GA SA
N D P GA................G PA........S G PA......
N S G PA.........................D N S G PA
. . . .
GA PA GA.....................SA GA SA.....
. .
NE SA NE......................DA NE DA
. . . . . .
PA DA NE DA....................NE DA PA.......
. . . . . . .
PA GA..........................PA DA NE.........
. . . . .
GA........................SA.................
.
END OF RAGA DEVELOPMENT. NOTE:* ON THE NOTE MEANS THAT IT
MUST BE PLAYED IN HIGH PITCH.
. UNDER A NOTE MEANS TO BE PLAYED IN BASE.
PRACTISE THE ABOVE ATLEAST FOR 10 TIMES.
. .
. . . .
*
AVAROHANAM S N D P G S
PLAY BOTH AROHANAM&AVAROHANAM ATLEAST FOR 50TIMES IN DIFFERENT DURATIONS.
TRY TO PLAY THE FOLLOWING NOTES.(ALL OPEN NOTES)
GA.........................GA PA GA SA.........
SA NE DA PA.............DA NE........SA........
. . .
DA NE SA GA....................................
. . .
S G P G SA.....................
D N S N DA.....................
. .. . .
D N D PA...................PA GA
. . . . . .
GA PA.......................DA NE SA.............
. . . . .
NE SA GA...............................
..
G S N DA.......................N DA
. .
S N DA...................GA.....S N DA
. . . .
PA.........................D N D PA.......
. . . . .
D N S GA..................................
. . .
GA GA PA...................................
G P G SA......................................
S G S N DA......................N D N D PA
. . . . . . .
P D N D PA.....................D N S N DA.....
. . . . . . . . . .
N S GA...........................GA PA ..........
. .
P G SA.........................G P G SA............
S G P G SA..............................
S S G G PA....................
GA PA DA NE......................DA PA........
GA NE DA PA .............................
G P S G PA.......................
G P D NE..........................N D PA.........
N D P GA...............................
N D P G SA.............................
S G G PA............................P D D NE
* * *
SA.............................S N SA........
* *
S N D N SA...................................
*
S N D P D N SA...........................
* *
S N D P G P D N SA
* * * *
DA NE SA GA.....................GA SA
N D P GA................G PA........S G PA......
N S G PA.........................D N S G PA
. . . .
GA PA GA.....................SA GA SA.....
. .
NE SA NE......................DA NE DA
. . . . . .
PA DA NE DA....................NE DA PA.......
. . . . . . .
PA GA..........................PA DA NE.........
. . . . .
GA........................SA.................
.
END OF RAGA DEVELOPMENT. NOTE:* ON THE NOTE MEANS THAT IT
MUST BE PLAYED IN HIGH PITCH.
. UNDER A NOTE MEANS TO BE PLAYED IN BASE.
PRACTISE THE ABOVE ATLEAST FOR 10 TIMES.
. .
. . . .
Thattu varisai
DHATTU SET2.
S M G M R G S R S G R G S R G M
R P M P G M R G R M G M R G M P
G D P D M P G M G P M P G M P D
M N D N P D M P M D P D M P D N
* * *
P S N S D N P D P N D N P D N S
* * * *
S P D P N D S N S D N D S N D P
N M P M D P N D N P D P N D P M
D G M G P M D P D M P M D P M G
P R G R M G P M P G M G P M G R
M S R S G R M G M R G R M G R S .
ENDS.*-HIGH NOTE
PRACTISE IN HARIKHAMBOJI THE ABOVE NOTES(ALL OPEN NOTES)
DHATTUSET is the most important lesson in the basic lessons.in learning the art of flute playing,it paves the way to adifferent stage.
Way of playing: this particular lesson shall be played in many ways. To start, play the lesson with 2 notes in one blowing. If you can play 2 notes freely, start with 4 notes in a blowing. After playing 4 notes in a blowing, try to play 8 notes in a blowing. Gradually you can play 8 notes in a blowing. Afterwards you play one line in one blowing. Later, you try to play 2 lines in one blowing. If you play this regularly, you will start to have enough power to play 5 lessons in one blowing. It will take sometime to play perfectly.
ADVANTAGES:THIS IS THE ONLY LESSON WHICH GIVES EVERYTHING IN PLAYING FLUTE.
1.CONTINUITY:IN THE BEGINNING, it will be a problem to play many notes in one blowing. But time goes on, you will get that. After this lesson, you can play about 100 notes in one blowing.2.once you concentrate on the blowing to play very long, automatically,the speed picks up. You will play very fast without strain. You will get fluency in fingering.3.this lesson is arranged in such away that you have to apply different force for different notes, the control over your blowing develops.
After this lesson, surely,you will be coming very close to music.
. Practise the above dattuvarisai atleast for 50 times and mail me back for any doubt.
!
k.t.dasarathy
S M G M R G S R S G R G S R G M
R P M P G M R G R M G M R G M P
G D P D M P G M G P M P G M P D
M N D N P D M P M D P D M P D N
* * *
P S N S D N P D P N D N P D N S
* * * *
S P D P N D S N S D N D S N D P
N M P M D P N D N P D P N D P M
D G M G P M D P D M P M D P M G
P R G R M G P M P G M G P M G R
M S R S G R M G M R G R M G R S .
ENDS.*-HIGH NOTE
PRACTISE IN HARIKHAMBOJI THE ABOVE NOTES(ALL OPEN NOTES)
DHATTUSET is the most important lesson in the basic lessons.in learning the art of flute playing,it paves the way to adifferent stage.
Way of playing: this particular lesson shall be played in many ways. To start, play the lesson with 2 notes in one blowing. If you can play 2 notes freely, start with 4 notes in a blowing. After playing 4 notes in a blowing, try to play 8 notes in a blowing. Gradually you can play 8 notes in a blowing. Afterwards you play one line in one blowing. Later, you try to play 2 lines in one blowing. If you play this regularly, you will start to have enough power to play 5 lessons in one blowing. It will take sometime to play perfectly.
ADVANTAGES:THIS IS THE ONLY LESSON WHICH GIVES EVERYTHING IN PLAYING FLUTE.
1.CONTINUITY:IN THE BEGINNING, it will be a problem to play many notes in one blowing. But time goes on, you will get that. After this lesson, you can play about 100 notes in one blowing.2.once you concentrate on the blowing to play very long, automatically,the speed picks up. You will play very fast without strain. You will get fluency in fingering.3.this lesson is arranged in such away that you have to apply different force for different notes, the control over your blowing develops.
After this lesson, surely,you will be coming very close to music.
. Practise the above dattuvarisai atleast for 50 times and mail me back for any doubt.
!
k.t.dasarathy
Saturday, August 4, 2007
Friday, August 3, 2007
melakartha rags
melakartha rags are otherwise called thai rags.there are 72 such rags in carnatic music.melakartha rag means a rag in which all 7 notes are present in both ascendng and descending scales.
k.t.dasarathy
k.t.dasarathy
Thursday, August 2, 2007
Bhagavat Geta
According to Lord Krishna "whatever you do, whatever you eat, whatever you offer as oblation to the sacred fire, whatever you bestow a gift, whatever you do by way of penance, offer it all to me"
vanakkam
vanakkam,
I am R.Brindha from chennai, a VRS optee from public sector MADRAS FERTILIZERS LTD. I am post graduate in Economics interested in listening songs, reading books, visiting temples etc.
I am R.Brindha from chennai, a VRS optee from public sector MADRAS FERTILIZERS LTD. I am post graduate in Economics interested in listening songs, reading books, visiting temples etc.
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